Audio Engineer II

Austin PBS seeks an experienced audio engineer. This is an audio support role for all of Austin PBS internal productions and internal/external events. In particular, you will regularly work in studio on internal productions including Central Texas Gardener, Austin InSight, Austin City Limits and Overheard with Evan Smith. You will also work on audio post-production specifically for the internal productions mentioned as well as other special projects, events and productions. Applicants must be able to function in a high-pressure environment and be a team player. Applicants must demonstrate a proficient background in live audio, audio recording and audio post-production. Added experience in television, music and/or digital production is a plus. You will report to and will work closely with our Audio Production Manager and VP of Production. 

At Austin PBS, you’ll do meaningful work with a team of passionate coworkers. You will work on our numerous award-winning shows as well as countless special productions and events. We offer a supportive and collaborative work environment. 

Role & Responsibilities:

• Audio Console operation (sound reinforcement and/or recording) in studios and control rooms.
• Mic talent with wireless or hardwire mic (lav, boom etc.)
• Set up and break down of band and event equipment (stands, microphones, cables, etc).
• Advance audio needs for shows and events when assigned.
• Cabling and patching / working and collaborating together with the entire crew as a team.
• Set up and operate audio for events and productions with audio consoles, IFB feeds, RF and hardwire mics, RF and hardwire IFBs and PA.
• Mix audio in post using Pro Tools 
• Ensure proper care and handling of all company and rental audio equipment.
• Ensure Production and Special Event audio needs are met and executed with the utmost professional attitude.
• Attend and actively participate in station, department and show production meetings

Education & Experience:

• 5+ years of experience working in a related field
• Dante Level 3 Certification preferred
• Calrec experience preferred
• DiGiCo experience preferred
• 4+ years of Pro Tools mixing experience preferred

Knowledge & Skills:

• Knowledge of television production concepts, principles, methodology, and techniques
• Knowledge of professional audio production, audio post-production procedures, and audio standards in broadcast/digital production environment
• Collaborative decision-making skills
• Can take direction and be a team player
• Proficient in Google suite
• Exhibit an understanding of public media mission and values
• Work in an environment with moderate to loud noise levels
• Ability to work non-standard hours (night, weekends) and overtime as necessary
• Ability to lift or carry equipment
• Regularly operate audio and computer equipment
• Regularly interact and exchange information with others, both verbal and written

Work is primarily done on-site.